Interview: Obscure Sphinx





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Creative freedom is really great, but the road to success is really hard. Only a few make it and they are really great, but tens of thousands of other bands still play in the garage.


I believe you are still enjoying the creative freedom of supporting the band by yourself without a record label on your back. It started directly in my mind sometime after the touring of the recent album was coming to an end.


Interview: Obscure Sphinx - I guess we just want to make better music and reach wider audiences. When you decide to just record yourself as you play without major post-production or interference, there is always fear that you will not sound perfect, or even good.


I have no idea whether their third release, Epitaphs complete with suitably esoteric Mario Duplantier cover artwill do much to change that, but I have to hope so. Photo by For my own sake, perhaps what I love most about Obscure Sphinx is how instantly recognisable their music is. Her oddly occasionally even uncomfortably intimate delivery, sometimes whispered, sometimes crooning, sometimes shrieking like the teeth of a whirlwind, can be as soothing as it is punishing, switching from a subtle caress to a razorblade kiss without warning. Unlike several of her potential contemporaries whom I could name, her inimitable idiosyncrasies never feel forced or pretentious. As for how obscure sphinx specifics of Epitaphs hold up when measured against the magnificence of Void Mother. That is legitimately my favorite song of all time, above any Maiden, Ayreon, Blind Guardian, Opeth, or any of my other most beloved bands. The bass is always easy to hear and identity, and obscure sphinx vocals are just oh so perfect. Anyone who knows me personally knows that I adore this band, and everyone in it. And Epitaphs sits very well deservedly at 9. Fuck I love this band. Love this album, as well as Void Mother. They are definitely tight pieces of work and they are not afraid to push out the limits of their soundscapes.


Obscure Sphinx - Nastiez
And Epitaphs sits very well deservedly at 9. Internally — our beauty is our very own burden; we have 5 individuals that get together to make something special. Obedience, stronger than Sorrow of Remains Hope that never comes Somehow must evaluate from a shrinking mass Impulse, strobe inside Neuron, of savage Obedience, stronger than Sorrow of Remains Hope that never comes Somehow must evaluate from a shrinking mass Impulse, strobe inside Neuron, of savage Skinny fingers are so cold Askew smile, near rose lips Watching skin Evaporating Scalding breath on heart beating neck Going down on a tiny back Bad words spoken Directly in the ear Lungs squeezed by a too small chest Face smashed on the wall Big thing's lying near And breathing, so fast that, it steals life from inside Eyeballs going red, bloody fluids flooding the mouth The nastiez you're trying to hide Grow and burn Get the embed code Obscure Sphinx - Anaesthetic Inhalation Ritual Album Lyrics1. We like to influence ourselves with things outside music, like art, etc. You can hear every detail with this album. Their music is situated somewhere near post-metal, but they enrich it with influence of doom metal, post-rock and progressive metal. What you hear is us playing live all at once — we recorded all the instruments simultaneously and just selected the best bits. Bleed in Me, Part 12.